Tuesday, September 27, 2011

Nathalie

  • Starring G rard Depardieu and Emmanuelle B art, NATHALIE follows an unusual friendship as it awkwardly blossoms between two women. Catherine (Fanny Ardent) discovers that her husband (Depardieu) has cheated on her, and hires a prostitute, Nathalie (B art), to seduce him. But when Nathalie reports back to Catherine on the liaison, the two women bond despite Catherine finding it hard to trust what h
La Belle Noiseuse is a thrilling and unconventional drama about the responsibility of an artist to his vision and the conflicts that arise when such responsibility is perceived as a threat to others. Michel Piccoli (Le Doulos) delivers one of his finest, most lived-in performances as Edouard Frenhofer, a famous painter living with his artist wife Liz (Jane Birkin) on a spacious estate in the French countryside. Frenhofer has lacked inspiration for a decade and has given up on painting.! The idea behind his unfinished masterpiece, La Belle Noiseuse ("The Beautiful Troublemaker"), has been seemingly unattainable for a decade; Liz was the original model for it, and Frenhofer's exhaustion with the project has an emotional parallel to his dispassionate relationship with her.

Along comes a rising artist, Nicolas (David Bursztein), who suggests that his girlfriend, Marianne (Emmanuelle Béart), a writer, could help Frenhofer jumpstart the painting's completion. From this point, most of La Belle Noiseuse becomes a remarkable, seemingly unedited and privileged look at the development of a bond between artist and muse. Béart, fiercely brilliant, spends the majority of the film nude and continually molded into sometimes-painful positions as Frenhofer struggles--sketch after sketch, paint upon paint--to find something beyond the obviousness of Marianne's body. As the two struggle to meet each other halfway, Liz and Nicolas feel marginalized and je! alous, putting pressure on Frenhofer to disregard such persona! l concer ns or give in to them. Adapted by French New Wave master Jacques Rivette from a story by Honore de Balzac, the lengthy La Belle Noiseuse is fascinated by the artistic process; it is itself a patient process of watching ideas and aesthetic courage reveal themselves in the face of extraneous aversion. --Tom KeoghUpon discovering that her husband is cheating on her, Catherine (Fanny Ardnt) hires a prostitute Marlene (Emmanuelle Beart) to play a role as "Nathalie" to seduce him and report back to her. A strange relationship develops between the two women and soon Catherine enters a startling world that changes her forever.

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