- In this gripping, real-life fairy tale, a young German princess rises from relative obscurity to the Russian throne as one of the most remarkable monarchs in history--CATHERINE THE GREAT.A strange twist of fate in 1744 brings 15-year-old, foreign-born princess Sophia Fredericka (Catherine Zeta Jones) to the court of Empress Elizabeth of Russia (Jeanne Moreau) where she becomes Catherine II, the wi
A perfectionist chef addicted to her work struggles to adjust when her sister passes away leaving her with a little girl to raise and a new soup-chef threatens to take over her kitchen with his high-spirited and free-wheeling ways.Achieving balance in one's life can be a difficult process, but master chef Kate Armstrong (Catherine Zeta-Jones) leads a regimented, very ordered existence running the kitchen of an exclusive restaurant and revels in the sense of power and control her career affords. Whe! n Kate's sister is unexpectedly killed in an automobile accident and her 9-year old niece Zoe (Abigail Breslin) comes to live with Kate, Kate's life is turned completely upside down and she is suddenly forced to split her focus between work and family. Enter a newly hired, fun-loving, opera-singing sous chef Nick Palmer (Aaron Eckhart), whom Kate perceives as a serious rival, and thus begins an impassioned struggle on Kate's part to rein in Nick's exuberance and maintain control over her kitchen staff. Even as they clash, Kate is inexplicably drawn toward Nick, eventually coming to the realization that Nick offers something that she needs both in her restaurant kitchen and her new life with Zoe. Based on the screenplay for
Mostly Martha, Catherine Zeta-Jones carries the lead well in this romantic comedy and there's a nice chemistry between herself and Aaron Eckhart as well as a poignant performance by Abigail Breslin. And, of course, and the food looks simply scr! umptious.
--Tami HoriuchiWhen a priceless Rembrandt is ! stolen i n New York, the evidence points to a solitary master thief (Connery), who is about to meet the insurance company's most cunning - and seductive - investigator (Zeta-Jones). Following a nerve-racking game of cat and mouse, the two join forces, or so it seems, to attempt a daring multibillion-dollar heist tied to the dawn of the new millennium.Sean Connery plays a master thief thought to be long retired, while Katherine Zeta-Jones is his foil, a hotshot insurance investigator assigned to his case. They both have a little something to hold over each other's heads, until it turns out that Zeta-Jones is a professional art thief herself and is playing on both sides of the fence. At first they eye each other with mutual distrust until they team up for a job, which goes off without a hitch. Inevitably their prickly relationship begins to thaw somewhat, and the two become attracted to each other as they plan out the massive Y2K bank scam that is the movie's climax (complete with seq! uel-ready ending).
Entrapment plays somewhat like a '70s caper movie revamped for the gadget-happy high-tech '90s. The plot takes a few too many labored twists and turns, and the chemistry between the two leads is nearly nonexistent, though both carry on gamely in their parts. On the other hand, there is some genuine suspense in many scenes as they go about their business, dripping with whiz-bang burglary devices. Zeta-Jones, of course, is drop-dead gorgeous, and Connery is as reliable as always in his role. The fairly flat editing and direction tends to drag the film down somewhat, but fans of caper movies, high-tech thrillers, and the two leads should find plenty to like in this film.
--Jerry Renshaw A beautifully filmed drama about the rise of russias empress catherine ii and her steely determination to revolutionize her country in the mid-18th century. Studio: A&e Home Video Release Date: 02/27/2001 Starring: Emily Bruni Run time: 100 minutes Rating: ! NrRussian history occurs on a sweeping scale, but that takes a! bigger budget than A&E can muster. So instead the cable network keeps its treatment of Russian empress Catherine II indoors as much as possible. That allows the camera to linger over the impossibly lovely face of Catherine Zeta-Jones, and the plot to focus on the political machinations of 18th-century Russia. Catherine goes from a bookish teen bride (her husband is the crazy and possibly impotent nephew of Russia's Empress Elizabeth) to the legendary empress who successfully concluded the Seven Years' War with Prussia, conquered Turkey, and put down a rebellion led by a Cossack pretending to be her long-dead husband.
The movie stumbles a bit when it ventures outdoors--it's hard to imagine Russia really conquered the Ottoman Turks with a 12-man army--but sizzles inside. Zeta-Jones conveys both passion and hard-edged ambition as her character transforms herself from manipulated to manipulator. Many of those manipulations occur in the bedroom, and the movie takes some! liberties in portraying her union with military leader Grigory Potemkin (Paul McGann); here he's practically a saint, although history remembers him a bit less nobly.
The supporting cast includes Jeanne Moreau in a masterful portrayal of Empress Elizabeth, along with Ian Richardson, Mel Ferrer, and Omar Sharif. Although there's plenty of scenery for them to chew, they hold back, allowing Zeta-Jones her 100 minutes of greatness. --Kimberly Heinrichs
