Monday, November 14, 2011

The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
An inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in the ! Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked single! mother (Angela Bassett) is slowly recovering from a devastati! ng perso nal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonAn inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in the ! Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked single! mother (Angela Bassett) is slowly recovering from a devastati! ng perso nal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonDVDSpellbound is the extraordinary documentary that follows eight teenagers on their quest to win the National Spelling Bee competition.Who would have thought that a documentary about spelling-bee contestants could be as suspenseful as a Hitchcock thriller? Spellbound, which follows eight kids from their early victories in regional spelling bees to the national competition in Washington, D.C., is an out-and-out nail-biter. Each of the kids--who range from a quietly driven African American girl from a run! -down D.C. neighborhood, to a genial Connecticut girl who talks about bringing her au pair to a previous competition, to an almost zombie-like boy whose immigrant father has paid 1,000 people back in India to pray for the boy's success--gets captured so vividly that you can't help but get emotionally immersed in their brave, nerve-wracking struggle to spell slippery, treacherous words. Along the way, Spellbound contrasts the crazily different populations that make up the U.S. and shows how this facet of intelligence truly makes everyone equal on the podium. A riveting, wrenching, must-see movie. --Bret FetzerTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but poli! tically radical debate team coach who uses the power of words ! to trans form a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The ! Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unioniz! ing together. Forest Whitaker is outstanding as Farmer’s emo! tionally -reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

American Racing Vintage T70R (Series VNT70R) Gun Metal With Machined Lip - 15 X 7 Inch Wheel

The Last Song

  • LAST SONG (DVD MOVIE)
John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let another man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years sinc! e Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. ! --Bret FetzerAmbitious television reporter Maria Sanche! z (Danie lle Harris of Rob Zombie's Halloween, Hatchet 2) is investigating the disappearance of over 200 Midwestern University students when a local man (Lance Henriksen of Aliens) contacts her with information that reveals details of the serial killer and his crimes: His name is Cyrus (a chilling performance by Brian Krause of ''Charmed'') and the murders themselves were brutal. What happened next was horrific but the worst is still to come. Based on shocking true events, this bloody and brutal story of the 'The County Line Cannibal' will leave a taste in your mouth that you'll never forget.John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let a! nother man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to c! all it purity would be too highbrow for these aggressively ped! estrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret FetzerMiley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows Ronnie (Cyrus) and her estranged father as he tries to restore the loving relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with t! he actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic s! ecret, and in the end, music helps Ronnie open her heart and h! eal. Cyr us gives a predictable performance as the all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

Departures

  • DEPARTURES (DVD MOVIE)
When his orchestra disbands, Daigo Kobayashi moves back to his hometown and takes a job preparing corpses for burial. Too embarrassed to admit his new career to his family, Daigo keeps his profession a secret, until he’s faced with the death of someone close to him. Academy Award Winner for Best Foreign Film.Departures is surely the gentlest, sweetest movie about death that you will ever see. A cellist named Diago (Masahiro Motoki) comes to the rueful conclusion that he’s not talented enough to make a career as a musician; having just returned to his hometown with his wife Mika (Ryoko Hirosue, Wasabi), he answers a job ad for what he thinks must be a travel agency... only to discover that company prepares bodies to be placed in coffins. Fearful of his wife’s response, he hides his new job--but as he grows to appreciate his boss (Tsutomu Yamazaki, Tampopo) and the affect that the humbling ceremony of cleaning and dressing the deceased has on their families, Diago discovers that he might have a calling. Departures won the 2009 Academy Award for Best Foreign Language Film, and it’s easy to understand why. Though it starts out quietly and even seems slight, it gradually builds in emotional power, layer by layer, until scene after scene at the end is richly moving. Particularly affecting is the performance of Kimiko Yo, the secretary of the company, who harbors a troubling secret. A few moments of overt symbolism push the movie from compassion to sentimentality--but every time Departures seems to have lost its footing, a scene follows that strikes all the right notes so deftly it resonates like a bell. A truly marvelous movie. --Bret Fetzer

Fallout Trilogy - 3 Pack Compilation

  • Fallout - It's the year 2161, 84 years after a two-hour-long war that destroyed most of civilization. Mankind soldiers on, living out a hardscrabble life on the surface or holing up in great Vaults built inside caves. You're a member of Vault 13 somewhere in Southern California, and the Vault Overseer's got a job for you - find a replacement water purification chip within 150 days, or your home is doomed.
  • Fallout 2 - It's been 80 long years since your ancestor, the Vault Dweller trod across the wastelands. As you now search for the Garden of Eden Creation Kit to save your primitive village, touch choices and even tougher consequences await you.
  • Fallout Tactics Brotherhood of Steel - A departure from the character-heavy RPG style of traditional Fallout games, Interplay's Fallout Tactics - Brotherhood of Steel is instead a squad-based tactical RPG, utilizing both turn-based and real-time! mechanics. As part of a split faction of the Brotherhood of Steel, the player controls a team that attempts to grow and expand across Fallout's barren wastelands by recruiting outsiders to embark on combat-heavy missions. Though vastly different from
Three Smash Hits in One Radioactive Pack! 3 Action Packed Fallout Games in 1! FALLOUT: It's the year 2161, 84 years after a two-hour-long war that destroyed most of civilization. Mankind soldiers on, living out a hardscrabble life on the surface or holing up in great Vaults built inside caves. You're a member of Vault 13 somewhere in Southern California, and the Vault Overseer's got a job for you: find a replacement water purification chip within 150 days, or your home is doomed. FALLOUT 2: It's been 80 long years since your ancestor the "Vault Dweller" trol across the wastelands. As you now search for the Garden of Eden Creation Kit to save your primititve village, touch choices and even tougher consequences ! await you. FALLOUT TACTICS: A departure from the character -! heavy RP G of traditional Fallout games, Interplay's Fallout Tactics is instead a squad-based tactical RPG, utilizing both turn-bases and real-time mechanics. As part of a split faction of the Brotherhood of Steal, the player controls a team that attempts to grow and expand across Fallout's barren wastelands by recruiting outsiders to embark on combat-heavy missions. Though vastly different from other Fallout titles, Fallout Tactics is a solid and enjoyable title that fans of the series would do well to explore.

The Phantom of the Opera (Widescreen Edition)

  • TESTED
Soundtrack to the long awaited film adaptation of the blockbuster stage musical.For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Culle! n has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyThe Royal Albert Hall in London comes alive to the passionate melodies and songs from the shows of Andrew Lloyd Webber. Enjoy the magic of this night of a thousand stars. Directed by: David MalletIn 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the la! st vestiges of boyish charm to the very limits but still sound! great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers FordLimited five disc (four CDs + DVD) 25th Anniversary edition. This collection, overseen by Andrew Lloyd Webber's Really Useful Group, contains the original recording of The Phantom of the Opera and its 2010 sequel, Love Never Dies, packaged in a collector's once-only design, and with the added bonus of a captivating hour-long DVD including original music vide! os, rare interviews and performance footage. This collection tells the complete story of the world's greatest entertainment phenomenon. An accompanying 160-page fully illustrated hardback book details the compelling history of the show from page to stage and beyond. The box set comes numbered and with an exclusive medallion, as well as a replica of the 60-page opening night program from Her Majesty's Theatre.Musical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon. The Phantom of the Opera tells the story of a disfigured musical genius (Gerard Butler) who haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants. When he falls fatally in love with the lovely Christine (Emmy Rossum), the Phantom devotes himself to creating a new star for the Opera, exerting a strange sense of control over the young soprano as he nurtures her extraordinary talents.Although it's not as bold as Oscar darling Chicago, The Phantom of th! e Opera continues the resuscitation of the movie musical w! ith a fa ithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow He! re Again" alone in a silent graveyard, it's exquisite.

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Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The special edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber! , director Harold Prince, producer Cameron Macintosh, lyricist! s Richar d Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera

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The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)

The Phantom of the Opera (2004 Movie Soundtrack) (CD)

The Phantom of the Opera (Original 1986 London Cast) (CD)

Evita (DVD)

Andrew ! Lloyd Weber: The Royal Albert Hall Celebration (DVD)

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Girl on the Bridge

Wild Science Magical Crystal Oasis

  • Includes over 12 activities and experiments with crystals
  • Learn about chemical reactions, transfer of energy, structure changes and properties of matter
  • Create Frosted Fantasy Forests, Rainbow Gel Corals and grow Floating Crystal Islands
  • Chemistry -"Super saturation and Seeds", and "Salts, Silicates and Seahorses"
  • Part of the Girl's Science Collection
CHRYSTAL - DVD MovieBuilding on the success of previous editions, Economics, Twelfth Edition, has been thoroughly updated and revised. Rigorous yet also accessible to beginners, it provides comprehensive coverage of both introductory macroeconomics and microeconomics. The authors balance in-depth explanations of key theoretical concepts with a wide range of real-world examples drawn from around the globe. They incorporate numerous pedagogical features including highlighted definitions of economic terms, s! hort revision questions, and updated end-of-chapter questions.

New to this Edition:

* Incorporates full coverage of the 2008 banking crisis and recession, featuring revised sections on banking, the financial system, and fiscal policy

* Integrates a broad range of international applied examples, including the cost of climate change, celebrity earnings, and global imbalances in the economy

* Includes more end-of-chapter questions

An updated and expanded Companion Website contains resources for students and instructors:

For students:

* Self-test questions
* Interactive chapters
* Web links
* Flashcard glossary
* Author's blog

For instructors:

* Figures from the text
* Instructor's Manual
* Animated PowerPoint-based slides
* Test bank
  • Includes over 12 activities and experiments with crystals.
  • Learn about c! hemical reactions, transfer of energy, structure changes of pr! operties and matter.
  • Create Frosted Fantasy Forests, Rainbow Gel Corals and grow Floating Crystal Islands.

Recommended Ages: 120 months - & Up


Hotel Rwanda [Blu-ray]

  • 1080p Hi-Def Widescreen Transfer
  • First time on Blu-ray
  • Released by MGM/Fox Home Entertainment
  • Includes Commentary Tracks, Documnetaries and more!
Once you find out what happened in Rwanda, you'll never forget. OscarÂ(r) nominee* Don Cheadle (Traffic) gives "the performance of his career in this extraordinarily powerful" (The Hollywood Reporter) and moving true story of one man's brave stance against savagery during the 1994 Rwandan conflict. Sophie Okonedo (Dirty Pretty Things) co-stars as the loving wife who challenges a good man to become a great man. As his country descends into madness, five-star-hotel manager Paul Rusesabagina (Cheadle) sets out to save his family. But when he sees that theworld will not intervene in the massacre of minority Tutsis, he finds the courage to open his hotelto more than 1,200 refugees. Now, with a rabid militia at the gates, he m! ust use his well-honed grace, flattery and cunning to protect his guests from certain death. *2004: Actor, Hotel RwandaSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), doing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime! negotiations are largely a game of subterfuge, cooperation, a! nd cleve r bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff ShannonSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), do! ing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime negotiations are largely a game of subterfuge, cooperation, and clever bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff Shannon

Eden Lake

  • EDEN LAKE (DVD MOVIE)
Like a bad dream turned worst nightmare, Eden Lake is a "relentlessly tense and immaculately paced" (Twitch Film) horror-thriller about modern youth gone wild. When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival. Eden Lake is "fierce, thought-provoking ... and genuinely shocking" (Time Out London).British director James Watkins’s directorial debut is an overtly moralistic thriller centering around a couple who are trapped and taunted lakeside by a gang of teenage bullies, led by a boy named Brett (Jack O’Connell). Warning signs to stay out of this camping area abound, in the spirit of myriad camping-trip-gone-awry tales, like the cla! ssic Friday the 13th. The challenge, here, is to subvert those warning signs in order to harness some minor sympathy for the alleged victims to be. However, Steve (Michael Fassbender) and Jenny (Kelly Reilly) are too wrapped up in puppy love to turn around, even when their GPS signal advises them to do so. As a gang of wayward kids pick fights with Steve and Kelly, the couple attempts escape... at first. But Steve’s desire for revenge impels him to search for the delinquents’ parents, which becomes the couple’s downfall. A good portion of Eden Lake is devoted to the chase, during which Steve and Kelly look increasingly swampy under caked on layers of blood and mud. These scenes are well done, fast-paced, and here, enacting fear, Kelly Reilly is at her best. But as the film progresses, one sees so many connections between the teens’ violence and the abhorrent behavior of their parents, that Eden Lake leaves no character interpretation up to the v! iewer. Yes, bad parents usually make bad teens. But a deeper i! nvestiga tion into Brett’s inner mind, or his ability to follow through with torture and the sadistic control he exhibits over his gang, would result in less obvious, and possibly more interesting explanations for criminal action. Though many Dimension Extreme films are cutting edge in the horror genre (see Inside), Eden Lake is not one of them. --Trinie Dalton