Friday, November 18, 2011

Another Cinderella Story

  • DVD Details: Actors: Selena Gomez, Drew Seeley
  • Directors: Damon Santostefano
  • Format: Color, DVD, Full Screen, Subtitled, Widescreen, NTSC
  • Aspect Ratio: 1.78:1; Number of discs: 1; Studio: Warner Home Video
  • DVD Release Date: September 16, 2008; Run Time: 90 minutes
A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays C! inderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surpr! isingly delightful film. --Tom KeoghA "modern" young wo! man of t he 16th century, Danielle (Drew Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)! Now you can relive this captivating, contemporary retelling of the classic fairytale. Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougr! ay Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghTake away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of th! ree daughters of a man (Jeroen Krabbé) who dies and leaves he! r fate i n the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghA "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her sc! heming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennan! t (who directed Barrymore in TV's The Amy Fisher Story)! , Eve r After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghIt’s musical. It’s magical. It’s Another Cinderella Story, the dancing ever-after fairy tale. In this joyous update, Selena Gomez(The Wizards of Waverly Place) is Mary, a modern Cinderella complete with dancing shoes instead of a glass slipper. Drew Seeley (High School Musical) is Joey, a Prince Charming and dreamy new-guy-in-school looking for a girl to love. Could Mary be that girl? With your kind of music and dance, your kind of romance and all kinds of surprises, you’ll find that Another Cinderella Story is a perfect fit.Another Cinderella Story adds a f! ew modern day twists to the classic fairy tale on which it is based, and it aims straight for the hearts of 21st century tweens. Selena Gomez (Wizards of Waverly Place) plays Mary, a shy high-school student saddled with a wicked guardian and a pair of mean girls stepsisters. Her life changes dramatically when a famous pop star enrolls at her school. Joey (Andrew Seeley) is everything the rest of boys in her class aren'tâ€"handsome, kind, and desirable. At a masked dance, Mary and Joey meet and fall in like with each other. But when she has to rush back home, she leaves behind her MP3 player, which becomes the only clue Joey has to find the girl of his dreams. Gomez, who shows nice range, is well-cast in the ingénue role. While indeed very dreamy, Seeley is a tad too old to play Gomez's boyfriend. Another Cinderella Story isn't the best-made Cinderella story. Drew Barrymore's Ever After was more clever. And the 1965 adaptation of Cinderella starr! ing Lesley Ann Warren still stands up to time. But with its yo! ung cast and energetic choreography, Another Cinderella Story is a perfect fairytale for the tween and young teen set. --Jae-Ha Kim

Dance Flick : Widescreen Edition

  • Widescreen
Street dancer Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter into the mother of all dance battles.The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (! Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











DANCE FLICK - Blu-Ray MovieThe spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everythi! ng that pops into their heads: Twilight, Dick Cheney, ! the self -consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directi! ng, from a script written by him and Keenen Ivory Wayans, Shaw! n Wayans , Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance

AMERICAN DREAMZ ORIGINAL MOVIE POSTER

  • DOUBLE-SIDED REGULAR 27X41 NEW
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
The president of the United States becomes a celebrity judge on a reality contest show with contestants competing to be judged the best singer and performer.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 17-OCT-2006
Media Type: DVDThinly disguised versions of American Idol and the Bush presidency collide in the satire American Dreamz. Bored and self-loathing, Martin Tweed (Hugh Grant, About a Boy) wants to give his hugely popular reality show American Dreamz an extra boost by courting political controversy--but suspects he may find personal redemption in the form of scheming contestant Sally Kendoo (Mandy Moore, Saved!), who manipulates her boyfriend (Chris Klein, Election) to give herself a vote-winning backstory. Meanwhile, equally desperate to court popularity, the President's chief of staff (Willem Dafoe, Spider-Man, looking suspiciously Dick-Cheney-esque) gets Tweed to let the President (Dennis Quaid, The Rookie) be a guest judge on the show. But unbeknownst to all, a privately conflicted terrorist (Sam Golzari) has been selected as a contestant, and his sleeper cell wants him to blow up the President in the final competition. This complicated storyline doesn't quite have the bite it's reaching for; the political edge is particularly blunted--even diehard Republicans are unlikely to be offended. But sharp and funny lines are sprinkled throughout and the cast is uniformly excellent; the relationship between Grant and Moore is oddly touching, and Marcia Gay Harden (Pollock) makes an amazing First Lady--is this satire, or what we all wish Laura Bush was rea! lly like? An uneven movie, but with some delicious tidbits. --Bret FetzerThe president of the United States becomes a celebrity judge on a reality contest show with contestants competing to be judged the best singer and performer.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 17-OCT-2006
Media Type: DVDThinly disguised versions of American Idol and the Bush presidency collide in the satire American Dreamz. Bored and self-loathing, Martin Tweed (Hugh Grant, About a Boy) wants to give his hugely popular reality show American Dreamz an extra boost by courting political controversy--but suspects he may find personal redemption in the form of scheming contestant Sally Kendoo (Mandy Moore, Saved!), who manipulates her boyfriend (Chris Klein, Election) to give herself a vote-winning backstory. Meanwhile, equally desperate to court popularity, the President's chief of staff (Willem Dafoe, Spider-Man, looking suspiciously Dick-Cheney-esque) gets Twee! d to let the President (Dennis Quaid, The Rookie) be a guest judge on the show. But unbeknownst to all, a privately conflicted terrorist (Sam Golzari) has been selected as a contestant, and his sleeper cell wants him to blow up the President in the final competition. This complicated storyline doesn't quite have the bite it's reaching for; the political edge is particularly blunted--even diehard Republicans are unlikely to be offended. But sharp and funny lines are sprinkled throughout and the cast is uniformly excellent; the relationship between Grant and Moore is oddly touching, and Marcia Gay Harden (Pollock) makes an amazing First Lady--is this satire, or what we all wish Laura Bush was really like? An uneven movie, but with some delicious tidbits. --Bret FetzerThe president of the United States becomes a celebrity judge on a reality contest show with contestants competing to be judged the best singer and performer.Genre: Feature Film-ComedyRating: ! PG13Release Date: 17-OCT-2006Media Type: DVDThinly disguised v! ersions of American Idol and the Bush presidency collide in the satire American Dreamz. Bored and self-loathing, Martin Tweed (Hugh Grant, About a Boy) wants to give his hugely popular reality show American Dreamz an extra boost by courting political controversy--but suspects he may find personal redemption in the form of scheming contestant Sally Kendoo (Mandy Moore, Saved!), who manipulates her boyfriend (Chris Klein, Election) to give herself a vote-winning backstory. Meanwhile, equally desperate to court popularity, the President's chief of staff (Willem Dafoe, Spider-Man, looking suspiciously Dick-Cheney-esque) gets Tweed to let the President (Dennis Quaid, The Rookie) be a guest judge on the show. But unbeknownst to all, a privately conflicted terrorist (Sam Golzari) has been selected as a contestant, and his sleeper cell wants him to blow up the President in the final competition. This complicated storyline doesn't quite! have the bite it's reaching for; the political edge is particularly blunted--even diehard Republicans are unlikely to be offended. But sharp and funny lines are sprinkled throughout and the cast is uniformly excellent; the relationship between Grant and Moore is oddly touching, and Marcia Gay Harden (Pollock) makes an amazing First Lady--is this satire, or what we all wish Laura Bush was really like? An uneven movie, but with some delicious tidbits. --Bret FetzerHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This partic! ular book is a collaboration focused on Iraq War films.PRODUCT! DESCRIP TION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Doomsday (Unrated Full Screen Edition)

  • UNRATED. Includes R-Rated Theatrical Version too.
  • Anatomy of Catastrophe: Civilization on the Brink - a "making of" featurette
  • The Visual Effects and Wizardry of Doomsday - meet the visual effects wizards
  • Devices of Death: Guns, Gadgets and Vehicles of Destruction
  • Feature commentary with director Neil Marshall and cast members Sean Pertwee, Darren Morfitt, Rick Warden and Les Simpson (offered on Unrated Feature only)
From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end! Loud, violent, and proudly derivative, the post-a! pocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision! of Scotland in ruins brings together the punk/modern primitiv! e costum e design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD


More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall



Stills from Doomsday (Click for larger image)











From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday gra! bs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfa! ced in London (now a walled city), and Mitra is dispatched to ! find a s cientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD


More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall



Stills from Doomsday (Click for larger image)











From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic! zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by! Bob Hoskins) to infiltrate Scotland, which has descended into! anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD


More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall



Stills from Doomsday (Click for larger image)