For Roseanna : Widescreen Edition

- Widescreen

A gripping story of four remarkable young menâ"photographers, friends and rivalsâ"who band together for protection in the final, violent days of white rule in South Africa.
The Bang-Bang Club is a memoir of a time of rivalry, comradeship, machismo, and exhilaration experienced by a band of young South African photographers as they documented their country's transition to democracy. We forget too easily the political and ethnic violence that wracked South Africa as apartheid died a slow, spasmodic death. Supporters of the ANC and Inkatha fought bloody battles every day. The white security forces were complicit in fomenting and enabling some of the worst violence. All the while, the Bang-Bang Club took pictures. And while they did, they were faced with the moral dilemma of how far they should go in pursuit of an image, and whether there was a point at which they should stop their shooting and try to i! ntervene.
This is a riveting and appalling book. It is ! simply w ritten--these guys are photographers, not writers--but extremely engaging. They were adrenaline junkies who partied hard and prized the shot above all else. None of them was a hero; these men come across as overweeningly ambitious, egotistical, reckless, and selfish, though also brave and even principled. As South Africans, they were all invested in their country's future, even though, as whites, they were strangers in their own land as they covered the Hostel wars in the black townships. The mixture of the romantic appeal of the war correspondent with honest assessments of their personal failings is part of what makes this account so compelling and so singular among books of its ilk. --J. Riches
Mary Call has promised her dying father to keep her brother and sisters together forever on the mountain, and never to take any help from strangers. She is determined to keep her word. No matter what. At first she is sure she can manage. Romey, Ima Dean, and Devola help gather herbs to sell in town; the riches of the mountains will surely keep the family clothed and fed. But then winter comes, fast and furious, and Mary Call has to learn that the land where the lilies bloom is also a cruel and unforgiving place, and it may take more than a promise to keep her family together.
A New York Times Bestselling ! Author First published almost a decade ago, the MacKad! e Brothe rs books have long been out of print. Now loyal fans can revisit and new readers can be introduced to the MacKades - each one of them on a collision course with love. When shy professor Rebecca Knight captures the interest of the youngest MacKade brother, The Fall of Shane MacKade can't be far behind.
The amazing inside story about a gambling ring of M.I.T.students who beat the system in Vegas -- and lived to tell how.
Robin Hood meets the Rat Pack when the best and the brightest of M.I.T.'s math students and engineers take up blackjack under the guidance of an eccentric mastermind. Their small blackjack club develops from an experiment in counting cards on M.I.T.'s campus into a ring of card savants with a system for playing large and winning big. In less than! two years they take some of the world's most sophisticated casinos for more than three million dollars. But their success also brings with it the formidable ire of casino owners and launches them into the seedy underworld of corporate Vegas with its private investigators and other violent heavies.
Filled with tense action, high stakes, and incredibly close calls, Bringing Down the House is a nail-biting read that chronicles a real-life Ocean's Eleven. It's one story that Vegas does not want you to read.The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshell lawyer in an on-line chat room and they make a date. Expecting his soul mate, he opens the door and finds himself face-to-face with Cha! rlene (Latifah) -- a wild and crazy soul "sister" who's just e! scaped f rom prison and wants Peter to clear her name. But Peter wants absolutely nothing to do with her, and that prompts Charlene to turn Peter's perfectly ordered life totally upside down. Hysterical complications abound and Peter soon finds out he may need Charlene just as much as she needs him. It's a houseful of fun your family will enjoy again and again.The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, a hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exuberant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register.! Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer
When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to anal! yze her mother, she comes face to face with the tangled beauty! of impe rfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.
Divine Secrets of the Ya-Ya Sisterhood may call to mind Prince of Tides in its unearthing of family darkness; in its unforgettable heroines and irrepressible humor and female loyalty, it echoes Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe.Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to j! ail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"
Siddalee must repair her busted relationship with Vivi by reading a half-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's packet of "Divine Secrets." It's a contrived premise, but the secrets are really fun to learn.