- Condition: New
- Format: DVD
- AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
OPEN YOUR EYES (ABRE LOS OJOS) - DVD MovieImagine if an actor's director like Eric Rohmer--whose films consist almost entirely of conversation between pairs or small groups of people--made a film that incorporated elements from movies like
Dark City,
eXistenZ,
The Thirteenth Floor,
The Truman Show, and
Total Recall. The result might resemble Alejandro Amenabar's remarkable second feature,
Open Your Eyes, which favors ideas over effects and offers twist upon twist with mind-warping agility. This film rewards multiple viewings, pushing the viewer toward one perception of reality, then switching to another until reality itself is called into question. Melodrama, love story, and psychological thriller combine with a dash of science fiction, ! forming a plot that is both disorienting and deceptively precise.
Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense against those who haven't seen the film; suffice it to say that Open Your Eyes takes you into the twilight zone and beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. The 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and P! enélope Cruz, who reprises her original role. --Jeff Shann! onOs car winner Javier Bardem (No Country for Old Men), Oscar nominee Penelope Cruz (Volver) and Golden Globe nominee Scarlett Johansson (The Nanny Diaries) light up the stunning city of Barcelona in this sexy romantic comedy. Vicky and Cristina are two young Americans spending a summer in Spain, who meet a charming Casanova and his beautiful but volatile ex-wife. When they all become romantically entangled, the smoldering sparks begin to fly in hilarious fashion. Critics rave, Vicky Cristina Barcelona is one of Woody Allen s finest films, with bravura performances from its incredible cast (Jeffrey Lyons, Reel Talk/NBC).It must be true that getting out of town can do a fellow a lot of good, because Vicky Cristina Barcelona is the best movie Woody Allen has made in years. Okay, you're right, 2006's Match Point already claimed that honor and, as Allen's first film made in England, established the virtues of getting away from overfamiliar territory (namely Manhatta! n). But the Woodman's first film made in Spain matches the ice-cold Match Point for crisp authority, and yields a good deal more sheer pleasure besides. Rebecca Hall (Vicky) and Scarlett Johansson (Cristina) play two young Americans, best friends, spending a summer in Catalonia. Vicky is going for a master's in "Catalan identity" (though her Spanish is shaky); Cristina is going along for, oh, just about anything. That soon includes celebrated abstract artist Juan Antonio (Javier Bardem), who's anything but abstract in his forthright proposition that the two join him in his private plane, his travels, and his bed. That he has an insane ex-wife, Maria Elena (Penélope Cruz), who may or may not have tried to kill him is not really an issue until the wife reappears and ... well, consider the possibilities.
Vicky Cristina Barcelona isn't exactly a comedy, at least not in the manner of Allen's "early, funny ones," but it's informed by a rueful wit that finds ! its fullest expression in reflective voiceover commentary. Spo! ken by C hristopher Evan Welch, but surely on behalf of the 73-year-old auteur, this element of the film is neither (as some have charged) patronizing nor uncinematic; rather, it's integral to the movie's participation in a venerable European literary tradition, the sentimental education. Instead of Bergman or Fellini, this time Allen is invoking the François Truffaut of Jules and Jim and Eric Rohmer in his many meditations on the game of love. The entire cast is terrific (both Hall and Johansson get to play "the Woody part" at different points), with Bardem and Cruz especially delightful as exemplars of Old Worldliness. Cinematographer Javier Aguirresarobe honors every drop of Catalonian sunlight and glint of Gaudà architecture. --Richard T. Jameson
Stills from Vicky Cristina Barcelona (Click for larger image)
VOLVER - DVD MovieSpanish for "Coming Back,"
Volver is a return to the all-female format of
All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina ! (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's
Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar’s 16th feature lacks the emotional punch of the more audacious
Talk to Her, it's less heavy-handed than
Bad Education and Cruz is a revelation.
--Kathleen C. Fennessy
